Writer

Author & Poet

b. September 15, 1889
d. May 22, 1948

“If a man is not faithful to his own individuality, he cannot be loyal to anything.”

Claude McKay was a prominent bisexual Jamaican poet and author who earned international renown during the Harlem Renaissance — an awakening of African-American arts and culture in the 1920s and ’30s. McKay’s writing, which illuminated the Black experience, made a historic impact on the literary world.

Festus Claudius “Claude” McKay was born in Jamaica in 1889 to a family of “peasant” farmers. Educated by his brother, a schoolteacher, and an English family friend who was well-versed in British literature and European philosophy, McKay used his formative experiences as inspiration for his writing and use of Jamaican dialect.

At age 17, McKay moved to Kingston, Jamaica, to earn money as a constable while he worked on his poetry. He left the job soon after, having experienced constant racism in the predominantly white capital city.

McKay returned to his hometown, then moved to London in 1912, where he published his first poetry collections, “Songs of Jamaica” and “Constab Ballads.” The works stood in stark contrast, as “Songs” romanticized Jamaican peasant life, while “Constab” painted a dark portrait of the racism and inequities faced by Black Jamaicans. McKay attended Tuskegee Institute in Alabama, then transferred to Kansas State University. He moved to Harlem, New York, in 1914.

In 1925 “The New Negro,” an anthology edited by Alain Locke, showcased McKay’s writing alongside other gifted Black writers of the Harlem Renaissance. McKay published his first book, “Home to Harlem” three years later. Largely a romantic novel, it also portrayed working-class struggles and McKay’s perspective on life as a Black man in America.

During the 1920s, communist ideology captivated McKay, and he traveled to Russia and France. In France he met two other notable writers, Edna St. Vincent Millay and Sinclair Lewis. In 1933 he wrote “Romance in Marseille,” the fictional account of an enslaved man who, after receiving reparations, moves to Marseille, France, to live in a society that views homosexuality the same as heterosexuality. 

Considered his most controversial prose, the novel was nearly lost to history. McKay’s editors deemed it too shocking to release. Penguin Classics finally published it, seven decades after McKay’s death.

McKay returned to Harlem in 1934. He had grown critical of communism and wrote of his disillusionment. He completed “Amiable With Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem” in 1941, but the book remained unpublished until 2017.

Although McKay never came out publicly, he had relationships with both men and women and found community in New York’s LGBT circles. He died of a heart attack at age 58.

Singer-Songwriter

b. April 7, 1951

“Truth is not the enemy, and whatever does not kill us sets us free.”

Janis Ian is a folk singer-songwriter and lifelong activist. She has won three Grammy Awards and been nominated for 10.

Born in Farmingdale, New Jersey, to a liberal Jewish family, Ian grew up on a farm. She began playing piano at age 2 and guitar at age 10.

In 1965, at age 14, Ian wrote “Society’s Child” (“Baby I’ve Been Thinking”). The song was released the following year and reached No. 14 on the Billboard 100. Even so, Ian was harassed both on- and offstage for its lyrics, which depict an interracial relationship. In 1967 she was nominated for her first Grammy for Best Folk Performance.

In 1975 Ian performed on the premiere episode of “Saturday Night Live.” The following year she won two Grammy Awards, including Best Pop Female Vocalist, and was nominated for three more.

Ian married an abusive man in 1978 and divorced him five years later. She moved to Nashville “penniless, in debt, and hungry to write.”

In 1992 Ian came out as a lesbian and started her own label, Rude Girl Records. After a nine-year music-industry hiatus, she released the album, “Breaking Silence” (1993). It was nominated for a Grammy for Best Folk Album.

Ian became a columnist in 1994. She wrote for The Advocate until 1997 and for Performing Songwriter until 2001. In 1998 she and her future wife founded The Pearl Foundation in honor of Ian’s mother. Since its inception, the organization has donated more than $1.2 million in college scholarships to support returning students.

Ian’s mother, Pearl, put her lifelong dream of attending college on hold when she married at age 18. When Ian was 15, Pearl was diagnosed with MS. Ian then convinced her mother to return to school and paid for her tuition. Ian insists “the proudest thing” she ever did “was sending her to college.”

In 2001 Ian began publishing her science fiction short stories online. She was one of the first recording artists with a personal website and controversially maintained that “free Internet downloads are good for the music industry and its artists.”

In 2002 Ian’s debut song, “Society’s Child,” was inducted into the Grammy Hall of Fame. In 2008 her hit single “At Seventeen” was also inducted. Ian’s autobiography, “Society’s Child” (2008), earned her a 2009 Grammy (Best Spoken Word) for the audiobook. She was nominated again in 2016 for her reading of the lesbian classic, “Patience and Sarah.”

Ian has been honored by the New York State Senate and the Human Rights Campaign. She lives in Nashville with her wife.

Journalist & Commentator

b. March 11, 1972

“This is the gay agenda: equality. Not special rights, but the rights that are already written by [our Founding Fathers].”

Elzie Lee “LZ” Granderson is a groundbreaking, openly gay American sportswriter and commentator. His work for major news outlets such as CNN, ESPN and ABC News has increased the visibility of racial justice and LGBTQ equality in athletics.

Granderson’s passion for sports began early. Born in Detroit to a poor family, he suffered abuse from his stepfather and turned to drugs and gangs as an adolescent. Sports helped save him. “I’d be bleeding from being whipped and go to sleep reading the NBA Almanac,” he said in a 2012 interview. “It was my blanket that helped me heal. I read every line about every player.”

Granderson began his career as an actor. He attended Western Michigan University on a theater scholarship and landed his first film role in “Zebrahead” at the age of 20. A few years later, he appeared in “To Sir, With Love II” (1996), with Sidney Poitier reprising his original role.

Granderson got his start in journalism at the The Grand Rapids Press. During the 1990s, when he was trying to break into sportswriting, the industry was deeply homophobic.

Granderson, who was open about his sexuality, recalls one interviewer asking him, “What does a gay guy know about the NBA?” Undeterred, Granderson broke into sportswriting at The Atlanta Journal-Constitution, after a stint as a home-design writer. He went on to serve as a writer and columnist for ESPN Page 2, co-host of ESPN’s “SportsNation” and afternoon co-host on ESPN LA710. He quickly developed a reputation for incisive columns that combined sports with social commentary on race, gender and sexual orientation.

Granderson has taken his unique perspective to numerous media outlets. He served as a CNN columnist and a contributor to “Erin Burnett OutFront,” “Newsroom with Don Lemon” and “Anderson Cooper 360.” He regularly contributed to ABC’s “Good Morning America,” “This Week” and “Nightline,” in addition to co-anchoring ABC’s coverage of the Democratic and Republican National Conventions. He joined the LA Times in 2019 as the sports and culture columnist and an op-ed writer.

In 2009 Granderson won the GLAAD Media Award for digital journalism for his ESPN article, “Gay Athletes Are Making Their Mark.” The National Lesbian and Gay Journalists Association honored him in 2008 and 2010. Granderson’s Ted Talk on LGBTQ equality, “The Myth of the Gay Agenda,” has received more than 1.6 million views.

Granderson lives with his partner, Steve Huesing. He has one child from a previous marriage.

Playwright

b. August 21, 1935
d. March 7, 2020

“I had no agenda in writing this play except expressing myself.”

Mart Crowley was a gay American playwright famous for “The Boys in the Band” (1968), a groundbreaking play that shocked mainstream audiences with its open, unapologetic portrayal of gay life.

The son of an alcoholic father and a drug-abusing mother, Edward Martino “Mart” Crowley was born in Vicksburg, Mississippi. He attended an all-boys Roman Catholic high school and studied theater at The Catholic University of America in Washington, D.C. He earned his bachelor’s degree in 1957 and moved to New York City.

In New York, Crowley worked as a personal assistant for the film director Elia Kazan. He later worked for the actress Natalie Wood, who encouraged Crowley to write.

Inspired by a controversial article titled “Homosexual Drama And Its Disguises” by Stanley Kauffman, a theater critic for The New York Times, Crowley penned his first play, “The Boys in the Band.” About the gathering of gay men for a birthday party, it premiered Off Broadway more than a year before the Stonewall riots, at a time when homosexuality was marginalized and vilified.

“The Boys in the Band” ran for more than two years and a thousand performances, attracting both gay and straight theatergoers. Patrons included prominent figures such as former First Lady Jaqueline Kennedy and New York City Mayor John Lindsay. The play earned praise for its insight and honesty. A film adaptation was released in 1970. As the organized gay rights movement gained momentum, however, “The Boys in the Band” drew criticism for its reinforcement of “unflattering” gay stereotypes.

Crowley wrote and produced five additional plays, including “The Men From the Boys” (2002), a sequel to “The Boys in the Band.” He wrote for television, including the popular ABC mystery series “Hart to Hart,” which he produced. Crowley also appeared in several documentaries.

In 2009 Crowley won a Lambda Literary Award for his collected plays. The same year, in celebration of its 50th anniversary, “The Boys in the Band” was restaged on Broadway. It earned Crowley a 2019 Tony Award for Best Revival. In 2020 Netflix released a cinematic adaptation of the work with many of the same Broadway actors.

Crowley died in New York from complications of heart surgery.

New York Times Columnist

b. October 31, 1964

“It’s a hell of a thing to have your identity, your dignity — your very hold on happiness — pressed into partisan battle and fashioned into a political weapon.”

Frank Bruni is a longtime writer for The New York Times and the newspaper’s first gay columnist. He is the best-selling author of three books. Frank Bruni and Andrew Sullivan are the two most impactful commentators on gay equality.

The middle child of three, Bruni was born and raised in White Plains, New York. His parents dubbed him the “big klutz,” and labeled his brothers respectively as “charismatic and confident” and “crafty and focused.”

In Bruni’s humorous and poignant memoir, “Born Round: A Story of Family, Food and a Ferocious Appetite” (2009), he recounts his life through the lens of disordered eating. His parents teased him about his weight, joking that his initials (F.B.) stood for “fat boy.” He eventually joined his mother on a series of fad diets.

The incessant focus on food led Bruni to develop multiple eating disorders. Through prep school, he jumped from one weight-loss scheme to another, including extensive fasting, amphetamine abuse and excessive exercise. Realizing he was gay was not terribly unsettling for Bruni, but his struggle with anorexia and bulimia filled him with such shame, he abstained from sexual contact.

In 1986 Bruni graduated Phi Beta Kappa with a B.A. in English from the University of North Carolina, Chapel Hill. He earned an M.S. in journalism with highest honors in 1988 from Columbia University.

Bruni started his career at the New York Post. He moved to the Detroit Free Press in 1990 where, in 1992, he became a Pulitzer Prize finalist for his profile of a child molester.

In 1995 Bruni joined The New York Times. As a White House correspondent, he reported on George W. Bush. His book “Ambling into History” (2002) chronicles Bush’s presidential campaign. Bruni went on to become a restaurant critic for The Times and was named an op-ed writer in 2011.

Bruni has been a career-long LGBT and AIDS activist and has often opined about marriage equality. In 2016 he wrote extensively about Pete Buttigieg, then the openly gay Mayor of South Bend, Indiana, positioning him as a talented and serious potential presidential candidate.

In 2018 Bruni wrote about a rare condition that led to significant vision loss in his right eye. He left his official post at The Times in 2021 to accept an endowed chair in journalism at Duke University.

Bruni received the GLAAD Media Award for Outstanding Newspaper Columnist in 2012 and 2013. In 2016 the Lesbian and Gay Journalists Association presented him with the Randy Shilts Award for his dedication to LGBT Americans.

Bruni lives in Durham, North Carolina. He contributes to The New York Times and CNN.

SNL Comedian

b. January 6, 1984

“One of my favorite things is to try and make an unlikable person endearing.”

Kate McKinnon is an American comedian, writer and Emmy Award-winning actor. She is best known for her work on the sketch comedy series “Saturday Night Live” (SNL).

McKinnon grew up on Long Island, New York. A self-professed “theater kid,” she showed a knack for mimicry and impersonations as early as fifth grade, when she convincingly imitated a British accent while auditioning to play the “queen of reading week.” After high school, McKinnon studied theater at Columbia University. In her senior year, she beat thousands of competitors for a spot on Rosie O’Donnell’s television series “The Big Gay Sketch Show.” McKinnon joined the cast in 2006, where she remained for the run of the program.

In 2008 McKinnon began regularly performing live sketch comedy at the Upright Citizens’ Brigade Theater. When “SNL” called her to audition, she realized a longtime dream. McKinnon joined “SNL” as a featured player in April 2012. She became the show’s first openly gay cast member and the second known gay cast member since Danitra Vance in the 1980s.

On “SNL” McKinnon quickly became a breakout star with her off-the-wall yet eerily accurate impressions of celebrities and politicians, such as Justin Bieber, Ellen DeGeneres, Ruth Bader Ginsburg, Jeff Sessions and Hillary Clinton. She has created a host of iconic characters—from a crass mermaid to an alien abductee. McKinnon’s uncanny ability to make unlikable characters relatable won the hearts of viewers.

Since she joined “SNL,” McKinnon has appeared in a number of screen productions. She starred in the all-female reboot of “Ghostbusters” and in “Office Christmas Party” (both in 2016) and in “Rough Night” (2017) and “The Spy Who Dumped Me” (2018). She has also performed as a voice actor for animated films such as “The Angry Birds Movie” and “Finding Dory.”

Among other comedy awards, McKinnon received two consecutive Emmys (2016 and 2017) for her work on “SNL.” She delivered a heartfelt acceptance speech thanking fellow lesbian comedian Ellen DeGeneres for “making it less scary to be gay” and for encouraging her to pursue her dreams. McKinnon has credited her gay identity for informing her unique comedic voice. “As minorities, we’re on the fringe,” she said, “and there’s just something so wonderful about that perspective, something so inspiring.”

Award-Winning Theater Director

b. November 21, 1963

“Art is a great prism through which we can understand history and current events.”

Moisés Kaufman is an award-winning theater director and playwright. His work is known for its bold, perceptive portrayals of contemporary social issues, particularly those of sexuality and culture. His groundbreaking play, “The Laramie Project,” inspired by the brutal killing of a gay college student, Mathew Shepard, generated worldwide empathy and dialogue around LGBT hate crimes.

Born in Venezuela, Kaufman grew up in an Orthodox Jewish family. As a youth, he was exposed to avant-garde theater. While working toward a business degree in Caracas, he joined an experimental theater group and toured as an actor.

In 1987 Kaufman moved to Manhattan to study theater direction at NYU’s Tisch School of the Arts. Recognizing the originality of Kaufman’s ideas, Arthur Bartow, the university’s dean, advised him at graduation, “No one will hire you. You should start your own theater company.”

In 1991 Kaufman and his husband, Jeffrey LaHoste, founded the experimental Tectonic Theater Project, dedicated to developing consciousness-raising, innovative works that push the boundaries of theatrical language and form. In its early years, the cash-strapped troupe rehearsed in the couple’s apartment. Under Kaufman’s artistic direction, Tectonic eventually flourished. The theater company has since created and staged more than 20 plays and musicals. Many, including the “The Laramie Project,” “Gross Indecency: The Three Trials of Oscar Wilde” and “33 Variations,” have garnered international acclaim.

Shortly after the murder of Mathew Shepard in 1998, Kaufman took his Manhattan-based theater company to Laramie, Wyoming, the small college town where the crime occurred. They conducted more than 400 hours of interviews with 200 local residents. Kaufman used the conversations to write and produce “The Laramie Project.” The play, which premiered in 2000, became one of the most-produced works of the decade. It has been performed worldwide in theaters and schools and used to educate people about homophobia. Kaufman also wrote and directed a screen adaptation that was released on HBO in 2002.

Kaufman has earned numerous accolades for his work, including an Obie Award for his Broadway directorial debut, “I Am My Own Wife”; two Tony Award nominations: one for “I Am My Own Wife” and one for “33 Variations”; the Outer Critics Award for “Gross Indecency”; and two Emmy nominations for “The Laramie Project.” In 2009 President Obama invited Kaufman and Techtonic to witness the signing of the Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act. In 2016 President Obama presented Kauffman with the National Medal of Arts.

Trailblazing Writer

b. August 26, 1904
d. January 4, 1986

“One should never write down or up to people, but out of yourself.”

Christopher Isherwood is an Anglo-American writer who was among the first to bring gay themes to mainstream literary audiences. Much of his work is semi-autobiographical, including “Goodbye to Berlin,” the novel that inspired the Tony Award-winning musical and Academy Award-winning film “Cabaret.”

Isherwood was born in 1904 near Manchester, England. From an early age, he formed friendships with people from all walks of life, some of whom later became his creative collaborators. In 1924, after submitting joke answers on his second-year exams, Isherwood was asked to leave Cambridge University. Embracing his newfound freedom, he took part-time jobs as the secretary of a string quartet and as a private tutor. He worked on his first novels and briefly attended medical school.

In 1929 Isherwood visited his friend, the poet W.H. Auden, in Berlin. The trip changed his life, bringing him “face to face with his tribe” and beginning his liberation as a gay man. Isherwood moved to Berlin later that year. His experiences and friendships there provided material for his novels “Mr. Norris Changes Trains” and “Goodbye to Berlin.” The latter, which depicts Germany’s pre-Nazi decadence, became Isherwood’s most famous work and cemented his legacy. The book was adapted into the play “I Am a Camera” and the musical “Cabaret,” which earned eight Tony Awards. The film version of “Cabaret,” starring Liza Minnelli, won eight Academy Awards.

In Berlin, Isherwood also began a relationship with a young German, Heinz Neddermeyer. The pair fled the Nazis, who were persecuting homosexuals, and moved across Europe until the Gestapo arrested Neddermeyer in 1937.

Isherwood returned to London, where he wrote plays and screenplays, before settling in Hollywood. He became a U.S. citizen in 1946. Seven years later, he fell in love with a college student, Don Bachardy. The couple remained together for more than 30 years, until Isherwood’s death. The relationship became a model for many gay men.

In his later years, Isherwood turned increasingly to autobiographical and gay themes. In 1964 he published the critically acclaimed novel, “A Single Man,” about a gay middle-aged English professor. A film adaptation, directed by Tom Ford and starring Colin Firth, premiered in 2009. It earned international recognition, including an Academy Award nomination for best actor.

In Isherwood’s 1976 memoir, “Christopher and His Kind,” the author renounced his reticence to admit his homosexuality in his earlier work. The memoir speaks candidly about his life in Berlin as a young gay man.

Isherwood died of prostate cancer in Santa Monica, California. He was 81.

Oscar-Winning Director

b. April 6, 1955

“[Filmmaking] gave me the opportunity to speak to the world.”

Rob Epstein is an American film director, writer and producer, and the cofounder of the production company Telling Pictures. Best known for his groundbreaking feature-length documentaries, he is the first openly gay director to win an Oscar for an LGBT-themed film.

Epstein was born in New Brunswick, New Jersey. At age 19, he moved to San Francisco. He started his career as one of the six-member Mariposa Film Group. Mariposa created “Word Is Out: Stories From Some of Our Lives” (1977), the first feature-length documentary by and for LGBT Americans. The pioneering film aired nationally in theaters and on primetime public television, increasing visibility for the gay community during a transformative period in the LGBT rights movement.

Epstein conceived, directed and co-produced his next project, “The Times of Harvey Milk" (1985), about the slain gay San Francisco board supervisor. Premiering at the Telluride and New York film festivals, the film touched audiences worldwide. It won the Academy Award for Best Documentary Feature, along with Peabody, Emmy and Sundance Awards. It made Epstein the first openly gay director to win an Oscar for an LGBT-themed movie. In 2013 the Library of Congress selected “The Times of Harvey Milk” for the National Film Registry. The prestigious Criterion Collection also includes it in their catalog.

In 1987 Epstein and his husband, Jeffrey Friedman, founded Telling Pictures, a San Francisco-based production company. Together they produced “Common Threads: Stories from the Quilt” (1985), an HBO documentary about the AIDS epidemic, for which Epstein won a Peabody and his second Academy Award. Their box-office hit, “The Celluloid Closet” (1995), a retrospective of LGBT images in Hollywood, featuring interviews with luminaries such as Tom Hanks and Whoopie Goldberg, won a Peabody and an Emmy Award. Other acclaimed films by Epstein and Friedman include “End Game” (2018), “State of Pride” (2019) and “Paragraph 175” (2000). Shifting from documentary to biopic, the duo also collaborated on “Lovelace” (2013), starring Amanda Seyfried, Peter Sarsgaard and Sharon Stone, about the porn star Linda Lovelace, and “HOWL” (2015), starring James Franco as the famous gay poet Allen Ginsberg.

In addition to filmmaking, Epstein is a professor and co-chair of the film program at California College of the Arts. He has served on the Sundance Institute's board of trustees and on the board of the governors of the documentary branch of the Academy of Motion Picture Arts and Sciences. In 2008 he received the Pioneer Award for distinguished lifetime achievement from the International Documentary Association.

Poet

b. December 10, 1830
d. May 15, 1886

“If I can stop one heart from breaking, I shall not live in vain.”

Emily Dickinson was a reclusive American poet whose stylistic ingenuity challenged conventions and profoundly influenced poetry in the 20^th century. Unrecognized in her own time, she has been celebrated since as one of America’s greatest, most original voices.

Dickinson was born in Amherst, Massachusetts, into a prominent, conservative Protestant family. Her grandfather helped found Amherst College. Her father, a lawyer, served one term in the U.S. Congress. Dickinson attended Amherst Academy, where she excelled in the sciences, Latin and composition.

At age 15, Dickinson pursued higher education at Mount Holyoke Female Seminary. She departed a year later. Against her upbringing and the religious norms of the day, Dickinson never joined a church denomination. Her feelings about religion were influenced by transcendentalism and the poetry of one of its central figures, Ralph Waldo Emerson.

Dickinson lived with her sister, Lavinia, on the family homestead. In her early 20s, Dickinson began to restrict her social activity, staying home for communal events and cultivating intense relationships with a small number of correspondents. She and Lavinia cared for their ailing mother for years until her death, after which, Dickinson further withdrew.

By the late 1860s, Dickinson rarely left her home. She became a prolific poet. Over seven years, she created 40 booklets containing roughly 800 poems on themes such as nature, love, death and spirit, including the favorites “A Bird came down the Walk,” “If you were coming in the Fall,” “Because I could not stop for Death” and “‘Hope’ is the thing with Feathers.”

Dickinson expressed ambivalence toward marriage. She maintained one of her strongest relationships with her sister-in-law, Susan Gilbert. Many scholars interpret the relationship as a romantic one. Dickinson sent Gilbert more than 270 letters enclosing her poems.

Very few of Dickinson’s poems were published during her lifetime. Those that were, were altered to conform with literary conventions of the day. After Dickinson died, Lavinia discovered hundreds of her sister’s poems. In 1890 the first volume of those works was published. It wasn't until 1950 that her work in its original, intended form—complete with random capitalization, imaginative word usage and other intentional quirks—reached the public.

Dickinson’s poignant, compressed verse and haunting personal voice have long established her as one of the most important figures in American literature.