Philosopher

Philosopher & Author

b. May 8, 1954

“Having an identity doesn’t, by itself, authorize you to speak on behalf of everyone of that identity.”

Kwame Anthony Appiah, Ph.D., is a distinguished philosopher, author and professor who specializes in the philosophy of mind and language and the intellectual history of Africa and African-Americans.

Born in London, England, Appiah grew up in Ghana. His father, a native Ghanaian, was a well-known lawyer and politician. His mother, the daughter of a British statesmen, was an author and scholar. Their widely publicized marriage was one of the first interracial “society weddings” in Britain. It is thought to have inspired the 1967 film, “Guess Who’s Coming to Dinner.”

Appiah received much of his education in England. He completed his bachelor’s degree in philosophy 1975 from Cambridge University. After teaching at the University of Ghana, he returned to Cambridge for his doctorate, graduating in 1982. He speaks five languages.

Appiah writes about ethics for The New York Times. He has published three novels, short fiction and numerous academic books. He is acclaimed for his groundbreaking scholarship, particularly on the philosophy and politics of personal identity. His work has been translated into more than 15 languages.

His early book “In My Father’s House: Africa in the Philosophy of Culture” (1992), received an Anisfield-Wolf Book Award and a  Herskovits Award  for “the most important scholarly work in African studies published in English.” His book “Color Conscious: The Political Morality of Race” (1996), coauthored by Amy Gutman, presents his critique of the concept of biological race and how individuals frequently overemphasize it as part of their identity. In the “The Ethics of Identity” (2004), he explains how ideas around “group identities,” such as race and gender, can add to or detract from notions of individual freedom.

Appiah has lectured worldwide and taught at leading universities, including Yale, Cornell, Duke and Harvard. As an openly gay scholar, he served for 13 years on the editorial board of GLQ: A Journal of Lesbian and Gay Studies, published by Duke University Press.

In 2002 Appiah joined the faculty of Princeton University, where he held appointments in the Philosophy Department and the University Center for Human Values, before becoming a professor emeritus. In 2014 he went on to New York University, where he teaches law and philosophy.

Father of the Harlem Renaissance

b. Sept. 13, 1885
d. June 9, 1954

“Art must discover and reveal the beauty which prejudice and caricature have overlaid.”

Alain Locke was the first African-American Rhodes Scholar, a writer, an educator and a philosopher of race and culture. He is considered the father of the Harlem Renaissance.

Locke graduated second in his class from Philadelphia’s Central High School and earned an undergraduate degree with honors from Harvard University. He received a Rhodes Scholarship—the prestigious international award for study at the University of Oxford in England.

At Oxford Locke faced rampant racial discrimination. He was denied admission to several colleges at the university before Hertford College admitted him. Thereafter, he studied at the University of Berlin.

Locke worked as an assistant professor at Howard University, then an all-black college, before leaving to pursue a Ph.D. in philosophy at Harvard. He completed his doctoral dissertation on the theory of social bias and returned to Howard in 1918 as chair of the Philosophy Department. He held the position until he retired in 1953. Locke introduced the first classes taught on race relations.

Locke wrote for journals and guest edited a special issue of Survey Graphic devoted to the Harlem Renaissance—an African-American literary and artistic movement that flourished in New York City during the ’20s and ’30s. He published “The New Negro” in 1925, an anthology of work by black writers, including his own. It remains one of the most influential projects of his career, helping to define the cultural period.

Locke wrote, reviewed or edited scores of important books and publications by or about African-Americans. He influenced and promoted blacks in the arts and urged them to look to Africa for inspiration and identity. He used “cultural pluralism” to define his philosophy, calling for a “new spirit” among African-Americans that would defy social and racial impediments. His work helped launched the careers of legendary black writers, including Zora Neale Hurston.

Although he never publically disclosed his sexual orientation, Locke once referred to being gay as his point of “vulnerable/invulnerability;” it brought him both risk and strength.

Locke’s ashes are buried in the historic Congressional Cemetery in Washington, D.C. The memorial inscription calls him a “Herald of the Harlem Renaissance” and an “Exponent of Cultural Pluralism.” It also features a lambda, a symbol of gay rights.

Howard University named Locke Hall in the College of Arts and Sciences in his honor and public schools across the country bear his name. In 2002 Locke was included in the 100 Greatest African Americans and The Black 100.